What Happens to the Habit When the Framework Changes
When I began revamping the visual arts curriculum for HKUGA College in Hong Kong, I observed a problem in junior
These articles grew out of nearly thirty years of teaching art and working with faculty in international schools across Asia and Africa. They’re an attempt to think in public about what art education is actually for — not a portfolio, not a pitch, just the questions I keep coming back to in my practice.
When I began revamping the visual arts curriculum for HKUGA College in Hong Kong, I observed a problem in junior
Most students can tell you what they see in an artwork. Far fewer can tell you what it means —
There’s a question I never thought to ask when I was doing visiting artist residencies early in my career: what
A curriculum can claim to value anything. What it actually values shows up in the rubric. For most of my
Many art curriculum frameworks share the same broad goal: students should develop thinking alongside making. Standards-based programs provide structure and
Here’s a question worth asking before you design a single lesson: what are you actually trying to do for the
A visiting artist can do something for a school that very few other outside resources can: walk in the door
Visiting artists in schools are becoming a luxury. When budgets tighten, they’re among the first things cut — and when
In an earlier article I argued that art education has a legitimate claim to being one of the most important
There’s a consensus building among educational thinkers that AI is changing what it means to teach. Yuval Noah Harari argues
There’s a distinction that art teachers learn to make early in their careers, and that most other teachers never encounter
sample presentations from workshops